Flatscreen tells the story of Eli Schwartz as he endures the loss of his home, the indifference of his parents, the success of his older brother, and the cruel and frequent dismissal of the opposite sex. He is a loser par excellence—pasty, soft, and high—who struggles to become a new person in a world where nothing is new.
Where are all the exciting men in London? After spending years in the glittering ballrooms of the ton, Amanda Cynster is utterly bored by the current crop of colorless suitors. Determined to take matters into her own hands, one night she shockingly goes where no respectable lady ever should, but where many an intriguing gentleman might be found.…
Into this scene of apathy rolls Seymour J. Kahn. Former star of the small screen and current paraplegic sex addict, Kahn has purchased Eli’s old family home. The two begin a dangerous friendship, one that distracts from their circumstances but speeds their descent into utter debasement and, inevitably, YouTube stardom.
By story’s end, through unlikely acts of courage and kindness, roles will be reversed, reputations resurrected, and charges (hopefully) dropped. Adam Wilson writes mischief that moves the heart, and Flatscreen marks the wondrous debut of a truth-telling comic voice.
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